Nicholas Monsour is an artist and film editor born and raised in Los Angeles.

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Entries in (De)Urbanization (15)

Thursday
Sep042014

✆ EXTINCTION PHONE

Nicholas Monsour
Extinction Phone, 2014

Aluminum, thermoplastic, PVC, plywood, paper, refurbished pay phone, crystal oscillator timer circuit, Arduino control circuit, audio circuit, lead-acid batteries, recordings of extinct species, phone book containing scientific names of extinct species.

The extinction phone rings every time a unique species goes extinct on Earth, which is 73,000 times per year, or 200 times per day, or every 7.2 minutes.

This project is a site-specific, interactive art installation.  The phone is controlled by an Arduino microcontroller, and uses an AdaFruit Waveshield to playback audio.  The phone also includes custom built timer and interaction circuitry.  The recordings of extinct animals were gathered from various libraries and collections around the world.

The directory that hangs from the pay phone contains the most up to date and comprehensive list of identified species believed to be extinct.  The phone book can be purchased here.

Tuesday
Apr162013

The hummingbird people

Regard Eloigne

"To the Yanomami, each person has an ‘image-essence’, a double called a utupë, to which they are joined until death.  A utupë can present itself in the image of many different living creatures, including a bird, mammal or insect. There are also spirits of trees, waterfalls and wild honey." (Survival International)

One by one the spirits arrived. The toucan spirits arrived with their big ear sticks and bright red loin cloths, describes Davi. The hummingbird people arrived and flew around. The moka frog spirits were there with quivers of arrows on their backs. Then came the peccary spirits, the bat people and the spirits of the waterfall.

My soul began to shine.

All came and slung their hammocks in my chest.


Sunday
May202012

Homemade solar eclipse viewer

 16 old sunglasses lenses + electrical tape.


Monday
Jul182011

Tropic of Chaos

 

 

Tropic of Chaos: Climate Change and the New Geography of Violence
By Christian Parenti 
Nation Books, 304 pages 

From Africa to Asia and Latin America, the era of climate wars has begun. Extreme weather is breeding banditry, humanitarian crisis, and state failure. In Tropic of Chaos, investigative journalist Christian Parenti travels along the front lines of this gathering catastrophe--the belt of economically and politically battered postcolonial nations and war zones girding the planet's midlatitudes. Here he finds failed states amid climatic disasters. But he also reveals the unsettling presence of Western military forces and explains how they see an opportunity in the crisis to prepare for open-ended global counterinsurgency.  Parenti argues that this incipient "climate fascism"--a political hardening of wealthy states-- is bound to fail. The struggling states of the developing world cannot be allowed to collapse, as they will take other nations down as well. Instead, we must work to meet the challenge of climate-driven violence with a very different set of sustainable economic and development policies.



 

Monday
Apr262010

Work In Progress: yx

In 2007 I shot ten scenes for a feature length project called The Upper Air, but I was dissapointed with the results and scrapped the project.  I've decided to re-edit the scenes into a short entitled yx, which will hopefully be finished next month.  The themes and concept are very much the same as the original project: the privitization of resources and of bodies, the translation of hermetic spaces into hermetic narratives, allegories of ecologies in crisis.  The new title comes from Stéphane Mallarmé's poem, Sonnet en -yx.  The video has performances by Jeff Harms and Evan Rubin, and Sam Wagster was an immense help in the production.  Below are some stills from the edit in progress.

Wednesday
Apr142010

Beckoning the post-apocalypse

Max Ernst, Epiphany (1940)

Whenever desire climbs a tree, internal repercussions trip it up and it falls to its death; the rhizome, on the other hand, acts on desire by external, productive outgrowths.  That is why it is so important to try the other, reverse but non-symmetrical, operation.  Plug the tracings back into the map, connect the roots or trees back up with a rhizome.

Gilles Deleuze and Félix Guattari, A thousand plateaus: capitalism and schizophrenia.

 

An emergent thought:

The recognition of the illusion of economic growth is a symptom of a crisis — a self-betrayal of the materiality of capital in the grain-become-visible in the tightly stretched membrane.  Crisis relocates idealist and utopian strategies from the hypothetical and fantastic to within the possible, pragmatic and even necessary.  It brings the holistic and broad to bear upon the specific, and the local — global ecology becomes tangibly present in everyday negotiations of individuals and small communities.  Unexpected regions of the metaphysical materialize as we are forced to perceive the interconnectedness of living beings and the power of cosmologies to inform, motivate and direct human behavior.  The neurotic visions of post-apocalypse projected by the philosophies of growth, industry and economic disparity reveal their attractive democratic foundations, the leveling of qualities of life and the rationality becomes evident in post-industrial models.  Intrinsic rights of the individual cannot be argued to be dependent upon individualist goals, and it becomes urgently necessary and unavoidable to conceive of communal organizational structures which function as part of a whole.  It becomes undeniable that our belief in a better possible future, so necessary to undertake the difficult work of reaching it, is part of a long, intertwining and diverse lineage of holistic beliefs that have always existed and been valuable, yet were not always recognized outside of the codified boundaries of official culture. Essentially, to instrumentalize belief, we assume an analytical (extra-dimensional) vantage, creating in the zone of the singularity — the space in which belief is transformed into objective forces by “necessity” — a probability map of possible positions and trajectories.

I have a sense that we need to, in communities of natural human scale, carefully and analytically revive the historical records of cultural ecologies — the materially conjoined structures of human organization and natural environments — with projected relevance in inverse proportion to their proximity to the epicenters of empires. We have firmly entered the borderlands — the frontline of the conflict between programmatic expansionism and the indigenous, the genesis of synthetic cultures that from the inside appeared occult and mystical and which, in the analytical revival is revealed to be programmed by holistic mythologies. Here and now we will reconfigure the historical syntheses of nomadic federations and city-states.  The border is still being pushed outward, but when we look toward the future-past, we can begin to re-imagine practices of ecological existence and experience — formerly maligned as “primitive” and “superstitious” — as praxises arisen from sound, resonant and beautiful theory.  Such an analytical retracing becomes a novel progression, taking what once came after with us into what once came before. 

Perhaps this precludes an inversion of the deepest sense of deterritorialization.  Perhaps this prefigures a recorporation of the imaginary body. 

Tuesday
Mar302010

Progress and Resistance in Central India, Part 2

For two months in 1999, I lived in a Gond village 11 km from the town of Dantewara in what was then Madhya Pradesh, India (the next year, in 2000, the Gond region was bifurcated by the creation of the new state of Chhattisgarh).  The Gond villagers had been struggling for fifty years to survive despite increasingly polluted water supplies, no schools, no hospitals.  Through an organization called Dakshinayan I worked on an ashram with villagers to build new irrigational structures, repair deep groundwater pumps, facilitate literacy and empowerment women's groups, teach English and bring medical supplies to remote villages. Despite the short time I spent there and the great amount of the history and politics I did not know, it was obvious to me that the tiny amount of "development" funding that was allocated for projects such as mine was completely insufficient, and that the official channels open to the tribal people of India to protest and take control of their own land and the resources within it were never going to be sufficient to make meaningful changes in the direction of increased hunger, poverty and dislocation they were heading.

Thinking further about Arundhati Roy's amazing article Walking With the Comrades, published earlier this month, concerning the tribal resistance movement in central India, has generated in me a flood of recollections of the two months in 1999 I spent as a volunteer on a watershed development and social justice project in the area that is now a Maoist stronghold.  In light of the continuing assaults on the people of this area by the Indian miltary and their  plans for escalated violence, I wanted to post some pictures from the time I spent there of the people I met and the landscape so rich in minerals as to attract the most focused and violent attention of capitalist forces worldwide.  The children I worked with and met would now be in their late teens and early twenties, and could very well be among the lists of rebels killed each day.

I have also posted a personal essay I wrote about my trip to central India in 1999, a few months after returning home to California.  I was eighteen years old, and did not know of much of the political activity that was surely going on around me in Dantewada.  This essay is essentially a distillation of the notes I took and sort of seismological recording of the personal impact that the project had on me. You can read the essay here.

Saturday
Mar272010

Progress and Resistance in Central India

PLGA Militants (photo from dawn.com)

Having dispossessed them and pushed them into a downward spiral of indigence, in a cruel sleight of hand, the Government began to use their own penury against them. Each time it needed to displace a large population — for dams, irrigation projects, mines — it talked of "bringing tribals into the mainstream" or of giving them "the fruits of modern development". Of the tens of millions of internally displaced people (more than 30 million by big dams alone), refugees of India’s ‘progress’, the great majority are tribal people. When the Government begins to talk of tribal welfare, it’s time to worry. 

— Arundhati Roy, Walking with the Comrades. March 21, 2010.

Last month Arundhati Roy broke the taboo of reporting directly on the Naxalite (Maoist) rebels in Central India. In the resulting articles and media appearances she has made, she has been attenmpting to draw attention to this struggle which is largely invisible and unreported in mainstream Indian media, to expose the hypocrisy of the joint corporate/government "relief" and "development" projects in the tribal areas of India.  As the Isreali government announces that a re-occupation of Gaza is immanent, the  Israeli military is training Indian "counter-terrorism" forces and supplying them with hi-tech weopenry to hunt down and destroy anyone who resists the destruction of the tribal culture, livelihoods and environment of  central India.  Please read Arundhati Roy's extremely well-researched, beautifully written and deeply troubling article, Walking with the Comrades from earlier this month here.

 

Saturday
Mar272010

Bon anniversaire, Stefan Wul

La pensée n'est qu'un ensemble complexe de micro-contractions musculaires ou micro-sensations musculaires. Et même si vous pensez un mot abstrait, ce n'est jamais que la micro-formation rapide et inconsciente de ce mot par les muscles linguaux qui constitue votre pensée même.

— Stefan Wul, Niourk (1957)



Monday
Mar222010

The Museum of Nature

Roller-coaster, by Ilkka Halso, 2004.

Museum I, by Ilkka Halso, 2003.

Kitka-river, by Ilkka Halso, 2004.

Theater I, by Ilkka Halso, 2003.

 

From Ilkka Halso's press release for Museum of Nature:

IN ORDER TO PROTECT AND RESTORE NATURE WE NEED STRONGER MEANS. ILKKA HALSO HAS CONTINUED HIS CONQUEST IN ORDER TO SAVE THE WORLD. HE PRESENTS PLANS FOR BRIGHTER AND MORE DURABLE MILLENNIUM.

Museum of Nature is next step in continuum of imaginative nature restoring project, which started year 2000 as Restoration exhibition. Restoration series was about restoring single nature objects in means of technology and building skills. Museum project takes one step further. I make plans and construct visually buildings, which protect nature from treaths of pollution and what is more important from actions of man himself. I visualize shelters, massive buildings where big ecosystems could be stored as at present. These massive building protect forests, lakes and rivers from pollution and what is more important from actions of man himself. At the same time I study different aspects of mans relation to nature as rare unique endangered place. While putting nature into a museum you have to take under consideration aspect of audience/consumer. Nature becomes joyride for turists or beautyfull landscape turns into a meditative theatre show. Project is based on pessimistic vision of what is happening on earth. I am looking into future and I am not very happy about that. I am considering these pictures more as visual pamphlets than estetical images.  Digital process is constantly present in the works. I am combining freely photographs of landscapes and computer genereted 3D-models. Works are visualized building plans, plans I rather not want to see realized.

— Ilkka Halso