Uncomfortable Hyperreality
Jeremy Geddes, The Cafe. Oil on Linen, 2008-2009.
Some of the more absurdly photorealistic paintings of Jeremy Geddes make me very uncomfortable because — I can only imagine — what I value most in painting and drawing is finding a unique synthesis of innovative technichal and conceptual methods. When I see images such s the one above however, the part of me that respects effort and craft, which has struggled with the hand/eye alchemy of representational skill, is very excited and dazzled — yet I do not feel that I have seen anything conceptually innovative. Regardless of this disappointment, Geddes' paintings are certainly worth marveling at, and I appreciate the consistent reminders from artists of this technical calibur of the thrill that extremely detailed and convincing handmade works can elicit — and the irreplacablility of the handmade is enough of a provisional concept for me, to indulge — even if it is only a connotation.
You can see more images of Jeremy Geddes paintings on his website, or in a zillion different magazines, or printed onto snowboards, etc.